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The Mirror Thief edition by Martin Seay Literature Fiction eBooks

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The Mirror Thief edition by Martin Seay Literature Fiction eBooks

I personally loved this book, but I am a sucker for puzzle books that wend off in many directions, and then come together at the end. I'm not quite sure why so many other reviewers didn't like this book, maybe because the comparisons to Cloud Atlas made them think it was going to be the same? It's not Cloud Atlas, and I don't think Martin Seay set out to duplicate that book. The Mirror Thief is its own unique labyrinth of timelines, treatises on philosophy and the nature of writing, and set in three different historical timeframes that are all Venice. It's a dense read, make no mistake, but it's fascinating to read the connection points between Crivano in 16th century Venice and the mysteries of glassmaking; the beatnik period of Venice Beach, California and Stanley's connection to The Mirror Thief, and Curtis's adventures in modern-day Las Vegas with the Venetian Hotel as the backdrop. My only beef with this book is that the sections with Stanley in Venice Beach, particularly the lengthy segment about the fish on the beach and his inevitable meeting with Adrian Welles, did drag somewhat. If not for seeming to lose his focus in that part, it would be a near-perfect read. If you're a fan of Venice, Umberto Eco, alchemy, or hermeneutics, this is the book for you.


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The Mirror Thief edition by Martin Seay Literature Fiction eBooks Reviews

The mirror is always there. Two boys in venice beach california mirror two men in 16th century venice italy mirror a caper whodunnit in the venetian hotel in las vegas.
The stories are beautifully drawn out, with the italian section the most richly written and the most emotionally engaging.
Why is this not a perfect 5 then? It is a bit long, which reduces the rich writing merely by repetition.
In addition, there is a tinge of showing off by the author...no one could know all of the references exhibited. A deep dollop of reference work is admirable, but there are just too many facts and personnages.

All in all, a very good read.
While the three intertwined stories are relatively engaging, the details are arcane, unexplained, and at times very tedious. This made for a difficult read in places. I picked this book up because it had been favorably compared with “The Cloud Atlas,” which I thoroughly enjoyed. And while this novel jumped around in time and the stories were connected, it did not come close to the creativeness, imaginativeness, and clarity of “The Cloud Atlas."
A torrent of words - very intricate descriptions of every single set & setting, none of it contributing to the narrative - like it was forged in a creative writing class where points were awarded for intricate scenes. Very hard to parse out what is important to the plot and what's extraneous. This novel, which makes very little sense, could be improved by being half as long. The three stories, each told a piece at a time, have essentially nothing to do with each other except that each protagonist is in possession (or ostensibly the author of, although that's never clarified) of the same book that no one (including you, the reader) can decipher. And they take place in a version of Venice. Not enough to hold the thread. This book is best as a lesson in descriptive writing - although you will need a dictionary at your side for the part of the story that takes place in the distant past - it's in indecipherable language colloquial to the time. You can get the flavor but not really understand - no one but a scholar of Old English knows all those words.
'The Mirror Thief' is a marvelous new novel from a writer who is obviously very gifted. The sheer pleasure of reading Seay's evocative prose style is enough of a reason to read the book. But the masterful construction, vivid characters, fast-paced narratives add to the overall pleasures, and the thoughts imbedded in the triple story make it a compelling read and a book that no thoughtful reader would miss.
This is a very ambitious book which moves between radically different periods with characters who are only loosely related. I read it all (which took some fortitude) but found it disjointed and unsatisfying overall.
Liked the idea of a story told in 3 parts all loosely based on the idea and the place of Venice. Unfortunately the 3 parts were too disconnected to make sense. In fact, in one part of the book reference is made of magic in another part, but the referenced part didn't discuss or include any reference to magic. There were other disconnects that made the storyline hard to follow. I almost have up, but I did finish the book. In the end, I wish I had just given up earlier.
I was drawn to this novel after seeing others compare it to Donna Tart's 'The Goldfinch', which is a masterpiece of a novel in my eyes. In certain ways, it was relatable, in that part of it took place in Las Vegas and a few of the characters dabbled in drugs. One of the main characters in Seay's novel is tied to a work of art, 'The Mirror Thief', which ends up shaping his existance, much like The Goldfinch painting does for the main charter in Tartt's novel. I'm hesitant to give 'The Mirror Thief' even three stars, though, because although it's pages are full of rich imagery and the author clearly has a knowledgeable eye for detail, the plot was all over the place. I kept expecting it to tie together at some point, but it never did. You may enjoy this novel more by skipping Crivano's first chapter altogether. I enjoy the intricate artistry that goes into novels written with this much detail, but this part was almost painful to get through. And while Stanley's chapters certainly held my interest, I'm not sure why Curtis's part was necessary at all. I kept reading because I thought there might be a pleasantly surprising ending--but not the case.
I personally loved this book, but I am a sucker for puzzle books that wend off in many directions, and then come together at the end. I'm not quite sure why so many other reviewers didn't like this book, maybe because the comparisons to Cloud Atlas made them think it was going to be the same? It's not Cloud Atlas, and I don't think Martin Seay set out to duplicate that book. The Mirror Thief is its own unique labyrinth of timelines, treatises on philosophy and the nature of writing, and set in three different historical timeframes that are all Venice. It's a dense read, make no mistake, but it's fascinating to read the connection points between Crivano in 16th century Venice and the mysteries of glassmaking; the beatnik period of Venice Beach, California and Stanley's connection to The Mirror Thief, and Curtis's adventures in modern-day Las Vegas with the Venetian Hotel as the backdrop. My only beef with this book is that the sections with Stanley in Venice Beach, particularly the lengthy segment about the fish on the beach and his inevitable meeting with Adrian Welles, did drag somewhat. If not for seeming to lose his focus in that part, it would be a near-perfect read. If you're a fan of Venice, Umberto Eco, alchemy, or hermeneutics, this is the book for you.